Mo Hebeishy

Eighteen years running productions across the Middle East — mostly Dubai and Saudi Arabia, with detours into Egypt, India, and Thailand whenever a shoot needed a passport. Then, in late 2024, family reasons pulled the whole operation to Spain.

He line produced the India leg of the Egyptian feature Hellbound in India — 14 days, one crew, far from home — and the Thailand leg of the drama series Fel La La Land, 30 days of the same. On the commercial side: Mercedes-Benz, Audi, Adidas — shoots where the budget had more zeros than the schedule had patience.

That's the offer now — a line producer who lives in Spain rather than merely lands in it: on call the moment a Spanish house needs a shoot executed here, and just as fluent when the call comes from the other direction — a Middle East production looking for a way in. Eighteen years of logistics, redirected from thirty-second spots to features and series.